I went for a long, long walk in High Park yesterday. My legs are a bit sore today but it was so worth it.
04 November 2012
25 October 2012
Bright Shiny Newness
It's been up on Ravelry for a while now but here is the blog reveal of my turquoise Agatha. I finished it during The Ribbon Project so it had to wait to be blogged. The project took a little longer than I had hoped to complete, becoming a fall cardigan rather than a spring one, but finally it is here and I love it so very much. Glad I am that I went out of my colour comfort zone by choosing this bright Cascade 220 heathered blue.
Here I am looking all perky and happy in my new sweater because it is a perky and happy sweater. I feel fresh and cute when I wear it. That's a pretty big accomplishment for a cardigan.
Here I am looking all perky and happy in my new sweater because it is a perky and happy sweater. I feel fresh and cute when I wear it. That's a pretty big accomplishment for a cardigan.
And here I am looking romantic and dreamy in my new sweater. The vintage style lace pattern inspires feelings of girliness and romance. Damn! All this from a cardigan? Yup,
21 October 2012
Table Knitting
It doesn't look like much here but this is my current "at home" project. It's Ysolda's Orchid Thief, originally published in Brave New Knits. I cast on at a knit night several weeks ago but now it never leaves the apartment. In fact, I don't even put it in its project bag anymore. It lives out on the dining table, ready to pick up whenever I have a half hour to spare. At over 400 stitches per row, that half hour means I get one row done. I've increased the number of pattern repeats because I'm using a finer yarn (Ysolda used Malabrigo Sock. I'm using Wellington Lace).This means a lot of stitches on an infamously tricky pattern. If you know Orchid Thief at all, you're aware of the on-line chatter about how a pattern could be published with such unclear instructions and so many errors. It was only through a lot of digging through Ravelry that I was able to sort it out.
Since regaining copyright, Ysolda has self published the pattern and addressed the problems.
The Wellington mohair/wool blend is knitting up beautifully. A halo appears as its worked but there is no shedding and the shawl does not feel scratchy at all. The colour is gorgeous, especially in the morning sun by the window where I do my knitting. I can't wait to see what it looks like blocked.
Since regaining copyright, Ysolda has self published the pattern and addressed the problems.
The Wellington mohair/wool blend is knitting up beautifully. A halo appears as its worked but there is no shedding and the shawl does not feel scratchy at all. The colour is gorgeous, especially in the morning sun by the window where I do my knitting. I can't wait to see what it looks like blocked.
18 October 2012
Book Review
Have you seen the new Vogue coffee table book,
Vogue Knitting: Classic Patterns from the World's Most Celebrated Knitting Magazine ? For their anniversary they've compiled a sort of greatest hits from the last thirty years into a beautifully bound, full colour, large volume. It was sitting in the window of a local book shop so I popped in and had a look.
I confess to being disappointed. Other than three pages on the history of the magazine, there is nothing new here to inspire me to put down my fifty dollars.
I confess to being disappointed. Other than three pages on the history of the magazine, there is nothing new here to inspire me to put down my fifty dollars.
Do you recognize the above shot? It's a stunning fashion shot of a timeless sweater from the Fall 1989 issue (Thank you Debi for selling your copy to me.) It is included in the book. I don't dispute their choices of pieces. In fact, it is a spot-on cross section of the best garments from various years (Calvin Klein bubble anyone?) Yet it falls flat because there's no re-interpretation. They don't just publish the same photographs from the original issues but photos of the photos from the magazine. I get what they were going for - a chronicle of a knitting publication. Still I think, as a vision, it lands short. For those of us who have been following Vogue Knitting for some time and own many of the original issues, it doesn't excite. I wanted to see new pictures of some these patterns re-knit in today's yarns with new and daring colours accompanied by some written text about the impact of the design and why it is representative and relevant. More work? Yes. But that would have been a book I'd have paid for.
09 October 2012
Day 7 - Green
The final day of this year's Ribbon Project fell on Thanksgiving Sunday. Interesting. At my sister's home I tied my green ribbons to mark the beautiful appetizer spread she laid out as well as her glass fowl collection which I've always found whimsical and amusing.
Thankful. It's something to ponder. For what am I thankful?
As a friend of mine recently remarked, "Every day above ground is a good one." It sounds a little trite - possibly even cynical. However, during a year when some old friends have left and there has been much loss and uncertainty, that little line makes a lot of sense. So, I'm thankful that I'm still here and that will be enough for now.
08 October 2012
Day 6 - Orange
Saturday of the Thanksgiving long weekend. A perfectly cool and clear day for doing some work in the garden. Then it was off to lunch with a fellow knitter. Not bad at all.
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