11 December 2017

London: The Yarn


On vacation, as with everything else, sometimes you have to be flexible. There were midweek plans consisting of taking the tube to Camden Passage for shopping at Loop of London in the morning. Then a second tube trip was meant to do some sight seeing further north. Unfortunately the morning involved lots of tea and me ill in bed with killer cramps well past noon. After rallying, plans were amended. We headed to Camden where yes, I did see the lovely Loop, as well as various vintage shops and stalls. I bought a costume jewellry brooch from the 50's and a pretty skirt from the 70's. We even managed to fit in an actual pub meal - ale, steak and mushroom pie, and mashed potatoes that were more butter than potato. Mmmm.

It was a shortened day but a nice one. We spent the evening watching tv in our suite. I'm glad that we didn't force ourselves into a strict schedule. Sometimes it's about the company as much as the content. 

The window next to the cash at Loop. The garland and the greenery with the white window framework was one of the prettiest sights of the day.

I wish I had gotten a better photo of these scarves. They are teeny tiny crocheted granny squares done in silk that's only slightly heavier than thread. So beautiful. Elegant crochet? Who knew?

One can't go to the UK without buying Shetland wool. At least I think so. I want to make some sort of shawlette with this Jamieson's DK. The skirt I was wearing that day has this palette and I was just feeling the combination. I'm thinking triangular with striped garter in 2 or 3 of the colours and a complicated border that incorporates them all.

06 December 2017

London; The Windows


We spent a whole day shopping the high end shoppes of London. We got off at Piccadilly Circus and from there it was round and about (in no particular order) Regent Street, Sloane Street, Piccadilly, New Bond, Old Bond and Jermyn. I was strangely underwhelmed by Liberty of London, but absolutely delighted with Fortnum and Masons. My partner shopped shirts and ties at the beautiful and elegant Harvie and Hudson but ended up purchasing at the more affordable Thomas Pink. Watches are his passion so we stopped into boutiques where burly but polite guards have to open the door to admit you. I tried on a 1500 pound coat at Dak's made with Jamieson's of Shetland wool. The Holiday lights were just coming on at 5pm when we, exhausted, stummbled back to Green Park station and on to our hotel for dinner.

Channeling Georgia O'Keefe here, don't you agree?

English bears wearing knits at Ralph Lauren.

LOVE this! Max Mara homages the best of the 70's


Dak's. Wool dress, silver shoes.
Watches watching the time at Cinderella's ball.

One of the many holiday windows at Fortnum and Mason's. 
The store was packed with people filling their carts full of biscuits, tea, coffee, fruitcake and Christmas chocolates.  I'm sure much of it was meant for mailing to relatives around the world.
 I purchased tea and shortbread here for The Daughter.

24 November 2017

Sweet November

It's been a diverse and busy November here. I continued to struggle for workers' rights and equal pay and I also took a posh trip - to England! The irony of this does not escape me. However, that may be a discussion for another day. 


I'm in the process of sorting through the 200+ photos I took in London. I think maybe only thirty or so are any good and of those I shall choose the best to create a holiday photo post here in the coming days.

22 November 2017

A Bill Passes and I Was There



Usually, I keep politics out of my blog. Today, however, I can't. Here are the details of the labour law reforms that passed today in Ontario. 
And here is my Facebook post about my happy reaction to watching this unfold:

"I am reflecting this evening on the experience of sitting in the Legislature today watching Bill 148 pass final reading. 
Three years ago, I called Workers' Action Centre for help with a labour dispute. I was welcomed into this crazy group and my life changed. Other than helping to raise an amazing human and citizen, the small contribution I've made to WAC and the Fight for $15 and Fairness, is my proudest achievement. This diverse group of hard working, inclusive, and ever-so-attractive individuals has been tirelessly organizing in the province for years - phoning, visiting MPPs, flyering, postering, handing out buttons, writing letters, marching, making speeches, educating, protesting, talking to anyone who will listen, and relentlessly s**t disturbing - to make life better for 1.6 million Ontarians. Tonight, I am happy and grateful.
It's not over yet. From here we push for enforcement and strengthening of existing laws . We must make sure government knows we are still paying attention. Tonight though, we celebrate a little."


26 October 2017

Bright and Delicious Sixties

One of my vintage magazines  (1967-8 McCall's) has completely fallen apart and is headed, sadly, to the recycling bin. Naturally, I've clipped my favourite patterns. However, I wanted to share the best adverts with you too. In knitting mags, just as in regular fashion periodicals, often the ads are the best part.

These gals have spunk for days mixed with awesome accessories, hair and makeup. Love the bright colours and the sassy sixties attitude.

Best legwear ever.

Serious posing.

Check out the stitch pattern of the pink cardigan. It's the same bubble pattern used in PomPom's Bombus from this past spring. I noticed it because, as you know, Bombus is my current project. Indeed, everything old is new again!

09 October 2017

Turn, Turn, Turn


You may recall me posting about breaking my umbrella swift and attempting to repair it with glue and spit. Well, the damage was just too great and I had to finally admit that it was unusable and needed to be replaced.

That unhappy occurrence turned happy quickly with a friend's recommendation that I try an Amish style swift. I'd always been curious and it certainly is much more affordable than the umbrella style, so I bought one. I just love it. It turns so smoothly and quietly. The set up and tear down are simple with no clamping required. Best of all, it breaks down into four flat pieces and a small bag of pegs so storage is easy. The only disadvantage I've found is that the ability to adjust to the skein size is not as precise as my old swift's but I can certainly live with that. 

I highly recommend this swift, especially if you live in a small space.



07 October 2017

Make Do Monday


So it's Slow Fashion October again. Though I don't really take part, it is an opportunity for a bit of reflection. This past Monday, having the apartment to myself, I spent the entire evening listening to podcasts** and catching up on my mending. When you buy second hand and wear and wear your favourites for years, frequent maintenance is required. Seams wear, straps fray, buttons fall off. Some of these skirts have been in rotation for over 20 years. It's a small accomplishment, but I am proud of it.

Another aspect of slow fashion that I've been thinking a lot about is laundry. You hear more and more about plastic fibres from our clothes getting in the ocean. All those yoga pants being machined washed! To keep my natural fibre prints clean, I of course hand wash with vegetable based soaps - when I wash that is. For here's a secret. I hardly ever wash my skirts. Unless I spill something on them, they only get laundered about every tenth wear. Honestly with a freshening iron or steam, the fabric looks just fine to wear many times. Dresses need more washing for obvious reasons. However, I find that with light wear, a spritz on the underarm area of the garment with homemade fabric refresher***, is often enough to make the dress ready for a second or even a third wear. 

There is a label I want to share.  I rarely buy new and that's a function of economic necessity as much as it is a reflection of social conscience. When I do, it has to be special. Inside my new organic cotton dress by Toad & Co. is this:

Dirty is the new clean.
Wear more, wash less.
Wear it out or pass it on.

Sounds right to me.

**Re the podcasts. Listen to Clara Parkes reading the Debbie Stoller chapter from A Stash Of One's Own on Pomcast. It will make you cry.
***Mix a few drops of essential lavender oil and tea tree oil with distilled water in a spray bottle. It works wonders.

30 September 2017

Business Casual

Pattern:  Business Casual by Tanis
Yarn by Orange Octopus 

After losing it once, finding it again, skipping a pattern repeat, ripping out the toe and restarting - they are finally done! I sent this snap to The Daughter right after weaving in the ends. They are becoming her socks because, despite my efforts, they are a tad too big for me.

Still, they're pretty cute, right?

22 September 2017

Just A Dish Cloth


I found that I was captivated by swatching the Bi-Colour Brick stitch and I wanted to revisit it. Not being able to think of a way to incorporate it into any projects, I grabbed some cotton and made a dish cloth. This 8 x 8 square intended for the cleaning of dishes, is just a large swatch after all, albeit a useful one, and I honed a new skill to boot!. This quickly completed project was a nice break from knitting a large garment. I feel re-energized. 

The cardigan goes well and I'm returning to it now. 


13 September 2017

River Knitting


I rode out to the Humber River today. Well, not all the way at once. The distance is much further from my current home than from where I used to regularly make the trip and there are still all those hills to deal with. I had an appointment at about the one third mark - my original reason for heading in that direction. Then I stopped for lunch at approximately the halfway point. From there I did all the nasty hills involved in that particular westward trip. It was a whim really.

What a beautiful day! I watched this guy fish for quite a while. Perhaps the cool fall weather is the reason he or she was the most active heron I have ever seen. He caught two fish then disappeared.

The bridge. The distance is a very easy ride but
I usually stop here a while for the view then turn back.
I am always tired. Did I mention the hills?

Knit for about an hour on my Bombus until the sun became too direct and started to burn my knees. This blue looked so lovely in the outdoors. It makes me love this project even more than I already do.

06 September 2017

John Ashbery: Jul 28 1927- Sept 3 2017


How do I write an appreciation of John Ashbery? He died this past Sunday at age 90 and was a writer always. I started to say, in my Facebook post about his passing, that his words were often comfort and joy to me until I realized this is a quote from a holiday carol. See how easy it is to fall into maudlin cliche and bad writing?

I first wrote of my discovery of John Ashbery in January 2013 after taking the self guided East Village Poetry Walk in lower Manhatten. As I said then, I was crossing the park with Ashbery's voice in my ear reading Just Walking Around (A Wave, 1984). It was a beautiful neighbourhood park full of families and dogs and a few bench lounging drunks. During what was often a lonely trip to for me, it reminded me of my heart's home.

"But you are too preoccupied
By the secret smudge in the back of your soul
To say much and wander around,
Smiling to yourself and others.
It gets to be kind of lonely
But at the same time off-putting.
Counterproductive..."

A big dog bounded toward me, all smiling legs and tail and I felt the tight spring inside me uncoil a notch. I've listened to and read that poem countless times since that day. I can recite it by heart.

St Mark's Place, NYC January 2013

Ashbery's 1991 book length poem Flow Chart was my near constant companion through 2014. It was with me most Friday nights at my favourite diner where I sat over greasy food and pints reading and reading and sometimes trying to write myself. I marked my favourite passages with bits of torn napkin, copied them into my journal: 

"...dig our heels in and ask the cliff 
to explain itself, and the ferns erupting from its crevices:  I too 
have stood here faceless and seemingly angry for a long time, yet for all that
don't feel it time to intimidate someone, make him or her feel lonesome just 
   because there is
indeed a horizon"

Or this:

"...And will my genuine if respectful indifference militate 
against the neutrality of my performance? Is a conflict of interest shaping up, or
     what?"

Or what, indeed?

Seems to be. Perhaps. You see. If so. I feel that. However...

He used common clauses to link lengthy yet individually simple, phrases into complex and famously "difficult" poetry. 
From The Guardian's obituary:

“I don’t find any direct statements in life,” Ashbery once explained to the Times in London. “My poetry imitates or reproduces the way knowledge or awareness comes to me, which is by fits and starts and by indirection. I don’t think poetry arranged in neat patterns would reflect that situation.”

I disagree with the difficult label. His writing to me, is the flow in the Flow Chart. One reads and an impression takes hold. His writing is a mirror to the way an observant mind processes the world. Music, visual imagery, snatches of news and conversation, all spool out to form an idea. It's stated then left there as another takes shape. Perhaps it will be repeated later or perhaps not. Like waves lapping on the shore, climbing and receding, if listened to long enough, the experience of the experience becomes clear to you, even if you you don't understand exactly why.

Well thumbed.

John Ashbery was, of course, incredibly erudite, well read and well traveled.  He was also a professional art critic. He often referenced specific art work and literature in his poems and why wouldn't he? From mention of the opera Orlando Furioso in Soonest Mended (1962), to the painter Parmigianino in Self Portrait in A Convex Mirror (1975), to the Sibelius Quartet in Hotel Lautreamont (2007), it was always done with relevance and without arrogance. I have found that knowing the references is not always necessary to the appreciation of the work, but hey, we live in the world of the internet and it's delightfully easy to look these things up. 


My signed copy of  the Pulitzer Prize winning book - a gift from my Love.
We have the internet to thank as well for access to many recordings of Ashbery reading from his work. He had a pleasant and clear voice and read aloud in my favourite style; straightforward and without unnecessary dramatic emoting. He let the strength of the words carry the piece. I enjoy listening to him while I knit or take transit. I've heard him so often that when I read his poems to myself, it is his voice that I hear in my head.

Yes, I'm a little sad that he's gone but he was ninety years old after all.  He wrote until the end of his long and graceful life so he left us much to enjoy and discover - profound yet simple phrases such as "The inside of stumbling. The way to breath" (Homeless Heart, 2012). His last new collection came out in 2015. Isn't that remarkable? Mostly I suppose I'm sad because no longer can I use 'America's greatest living poet' as answer to the question, 'Who is John Ashbery? '.

"And now that the end is near,
The segments of the trip swing open like an orange.
There is light in there, and mystery and food.
Come see it. Come not for me but it.
But if I am still there, grant that we may see each other"


Photograph: Eamonn McCabe for the Guardian